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#Why is pirates tides of fortune banned in 12 countries professional
Our core businesses produce scientific, technical, medical, and scholarly journals, reference works, books, database services, and advertising professional books, subscription products, certification and training services and online applications and education content and services including integrated online teaching and learning resources for undergraduate and graduate students and lifelong learners. Wiley is a global provider of content and content-enabled workflow solutions in areas of scientific, technical, medical, and scholarly research professional development and education. In what follows, then, I test the extent to which Fortune by Land and Sea should be read as expressing a growing, but coded, sense of dissatisfaction with the king. In the play we have two spheres represented-one at sea with young Forrest, one on land with Philip-and the contrasts between the brave and adventurous young Forrest and the passive, arguably weak, Philip can be seen as tapping into a nostalgia for Elizabethan values that threatens to undermine Jacobean policies. I argue that Fortune by Land and Sea uses values and activities associated with Elizabeth in James's reign as a contrast to those promulgated by the new monarch. By focusing on the representation of piracy in a dramatic text, Fortune by Land and Sea (1607–9), by Thomas Heywood and William Rowley, I explore the extent to which such seaborne activities are aligned with the oppositional discourses which were critical of Jacobean policies. This article focuses on one particular transition between the foreign policies of Elizabeth and James, the state's attitude to piracy.